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Welcome to the wiki of [[Sina Seifee]]'s artistic research in the context of [[Professional Doctorate]] at [[What Art Knows]] (Academy of Arts Maastricht and Zuyd University of Applied Sciences). | Welcome to the wiki of [[Sina Seifee]]'s artistic research in the context of [[Professional Doctorate]] at [[What Art Knows]] (Academy of Arts Maastricht and Zuyd University of Applied Sciences). | ||
[[Pile of Bones]] (working title) is an [[artistic-research]] and [[video-game]] development project initiated in 2025. It is developed between Brussels and Maastricht within the Professional Doctorate in Arts + Creative at research center What Art Knows, Academy of Arts Maastricht, Zuyd University of Applied Sciences, and in the context of [[MERIAN]]. | |||
The project investigates how making a [[Play|playable]] [[dark-fantasy]] [[World-Building|world]] can become an artistic practice of [[memory]] and [[inheritance]] in relation to [[premodern]] [[Persianate]] [[Bestiary|bestiaries]]. It brings three [[Ecology of Practices|practices]] into contact: the [[World-Building|world-composing practices]] of ''[[Ajayeb al-makhlughat]]'', the compositional techniques of [[high dark fantasy]], and the [[Techne|technical operations]] of contemporary game-making. The bestiary provides the primary heritage anchor. Dark fantasy provides training in the construction of damaged worlds, incomplete histories, and interpretive mystery. Game-making provides the material and technical medium through which relations can become spatial, systemic, and playable. | |||
Revision as of 09:14, 15 September 2026
Welcome to the wiki of Sina Seifee's artistic research in the context of Professional Doctorate at What Art Knows (Academy of Arts Maastricht and Zuyd University of Applied Sciences).
Pile of Bones (working title) is an artistic-research and video-game development project initiated in 2025. It is developed between Brussels and Maastricht within the Professional Doctorate in Arts + Creative at research center What Art Knows, Academy of Arts Maastricht, Zuyd University of Applied Sciences, and in the context of MERIAN.
The project investigates how making a playable dark-fantasy world can become an artistic practice of memory and inheritance in relation to premodern Persianate bestiaries. It brings three practices into contact: the world-composing practices of Ajayeb al-makhlughat, the compositional techniques of high dark fantasy, and the technical operations of contemporary game-making. The bestiary provides the primary heritage anchor. Dark fantasy provides training in the construction of damaged worlds, incomplete histories, and interpretive mystery. Game-making provides the material and technical medium through which relations can become spatial, systemic, and playable.